Handmade Scaffolding Cover

The people in Agordo, a town near Belluno, decided to approach the current idea of imagery on their scaffolding cover in the most artigianale of ways. Instead of using a sponsor's image to print over the entire surface of the facade area being restored, as is often done in big cities like Venice these days, or printing a photographic replica of what the facade normally looks like to place on the covering, someone got some paint and brushes and did their painterly and naif version of the original facade. I find this completely adorable. You can find this scaffolding painting across from the church in the center of town.

For some images of what the photo slick versions usually look like:

The recently restored Bridge of Sighs, Venice, with the sponsor Bulgari on display

Photo credit: flickr name: travellerlisa

For a picture reference of a Paduan version of a scaffolding cover, go to my post. 

At least Padua in 2009 advertised the City of Hope, part of the Padua Hospital system. It a hospital program for kids with physical problems.

A Color Match

Any orange would not do. If is was too bright, it would overpower the tiles and make them look drab. If it was too dark it would make the room feel heavy and gloomy. But too light and it would come out looking like peach, right?

What were we to do? Exactly this kind of questioning accompanied our thinking as F and I tried to come up with a solution to a new living room, while keeping existing flooring.

The house came with groovy tiling. At first we just about hated it but finances kept us from ripping it up like we did for the kitchen. After all, the endless spending had to stop somewhere. We decided to embrace the pattern and color choices instead. However, getting a suitable color to go with it proved to be a challenge.

The sofa and wood furniture were easy: go with brown fabric and dark wood. On the other hand, the wall was the battlefield. I didn't want all white which is such a plain solution that would look horrible with the tiles, as I had seen when I visited the house with the real estate agent. F and I agreed that an orange wall or area could be the solution, but then we ran into all those questions about which color of orange.

Additionally frustrating are color memory and sample factors. Memory alone does not help when choosing a paint color for a delicate home remodelling situation while physically choosing it in a hardware store. You can't remember the nuances of tone and hue of your original. Bringing a digital photo, in the camera or printed, does not really help either because the photo process changes the colors too much for them to be reliable color samples. In my case, the camera adds a blue tinge to everything so the tiling colors don't seem as warm as they are in reality. In the end, I painted myself a true color copy of the tiles which I took to the store to select the paint. I am lucky enough to have painted for most of my life and know how to copy exact colors, but this would be an almost impossible feat for some people.


So then I got to the point of checking potential oranges to match against my watercolor tile sample. Since the colors from the sample book were 0.5 cm tall and 2 cm wide, it added to the challenge. I had to imagine that tiny spec of color from the book projected 2.5 m high and on 2 walls! After an hour of looking, making a list of semi-finalist oranges until I got to the finalists which were 2 colori di arancione, I ordered my 1 liter sample buckets of each and went to the new house (in the pouring rain) to paint some big swatches of the colors directly onto the wall, for better effect. I was doing this the night before I was leaving for 2 weeks in the US, in which the painter would be completely painting the new house in Padua. I had to instruct him on what color to buy before leaving and I couldn't trust F to do. I let the paint dry overnight and F drove me by the new house on the way to the airport so we could look at the dried paint color and make a decision together. The softer orange hue was the winner.

Peach was it. Luckily, it doesn't feel like peach in the context of the final furnished room.

Here are some other computer-generated color combinations I experimented with along the way.





The final paint job with a custom-made sofa and retro crystal and metal coffee table. Model is Satchmo, as usual.

New House Progress

The work is underway on the new house. The kitchen has been gutted. Tiles have been ordered. They will be laid next week. Some light bulbs have been installed to have some sort of temporary illumination for evening visits to the property. We got a quote for changing the locks, and then the fabbro never called back to do the work. In the end, we thought it would be better to change the locks once the workmen have all had their access. A sofa has been ordered which will be custom-made for us and should be ready in a month. The original painter backed out since he was more of a friend who wanted to help and pick up some money than a professional and the walls, full of holes from former tenants, proved complicated. So now we are having the tile men move on to do the paint job next, since they also offer painting services and are doing a good job so far.

The interesting and quirky part to this new house is that we will have hardly anything done by Italians. The kitchen work and painting will be the product of Romanian sweat. The sofa is being made by Albanians. Most of our furniture will probably be Swedish design from IKEA. Only the locks and lights will be done at the hands of Italians. So much for Italian design and quality. Either we can't afford it or don't like it.